As an instructor at The Conservatory of Recording Arts & Sciences I can’t begin to express how lucky I feel preparing, nurturing, and encouraging students to pursue their dream of an audio career… the same dream I live every day. I spend most of my life running my sound design company... but the hours I get to spend as an audio instructor are incredibly fulfilling.
I am thrilled to have the opportunity to impart knowledge that others have been kind enough to teach me over the span of my career.
There have been so many mentors, co-workers and teachers that unselfishly and patiently enabled me to hone my skills and constantly improve. I don’t know where I’d be without them.
I now have the chance as an instructor at CRAS to pay it forward. I am very thankful for the opportunity.
Learn more about The Conservatory of Recording Arts & Sciences at www.cras.edu
Upon graduation from The Conservatory of Recording Arts & Sciences, students are asked to complete an anonymous evaluation survey for each of their instructors. Here are just a few of the things they thought about their experience in Rick’s class:
SHARING AUDIO KNOWLEDGE
WITH PROFESSIONALS
I am humbled to been included on various panels over the years at major audio conventions and events. I have spoken on the crowded NAMM Show floor discussing the various ways I capture unique sounds for sound design, sat on the Sound Design panel at NAMM’s TEC Track Panels been part of panel discussions at AES Education Symposiums sharing thoughts on the future of audio education, sat on a panel in the early days of digital audio for a seminar at Dartmouth College sharing my experience as a beta-tester for New England Digital’s Synclavier audio system.
These kinds of events are the cornerstone in sharing ideas and keeping our industry on the cutting-edge.
I believe in my heart that audio education should be both informative and fun whether in a formal education environment or during peer to peer continuing education at talks and conventions.
SHARING AUDIO KNOWLEDGE
WITH THE WORLD
Still blown away that I was asked to join the Bob Moog Foundation’s Board of Advisors. To be included in this group is such an honor. I have to admit I am actually a bit of a fan-boy of everyone else on the board.
Bob Moog’s contributions to this world are impressive, I do not take my seat on the Board of Advisors of his foundation lightly.
The Bob Moog Foundation works hard to carry his pioneering legacy forward to future generations. The mission is to ignite creativity using a blend of music, science, history and innovation.
As an audio educator, I am especially passionate about the foundation’s Dr. Bob’s SoundSchool (DBSS). It is an innovative, experiential 10-week curriculum that teaches second-grade students the physics of sound. Please take a moment to learn about the Bob Moog Foundation and think about how you can support its vision.
“The Bob Moog Foundation Board of Advisors is now 40 strong and includes: Rick Allen, Craig Anderton, Athan Billias, Dawn Birr, Michael Boddicker, Joe Castronovo, Tommy Coster, Jr., Michelle Darling, Larry Dunn, Mark Ethier, Stephen Fornter, Peter Gorges, Dave Gross, Daniel Haver, Bonnie Hayes, Morris Hayes, Greg Hockman, Hiro Iida, Gigi Johnson, Sandra Jordan, Gary Kerzner, Tawnia Knox, Mike Martin, Dominic Milano, Ernst Nathort-Boos, Erik Norlander, Eric Persing, Steve Porcaro, Francis Preve, Heather Rafter, Gino Robair, Jeff Rona, David Rosenthal, Dave Rossum, Jordan Rudess, Marcus Ryle, Mary Simoni, CJ Vanston, Lee Whitmore, and Geary Yelton.”